Pros mathematikous

Year: 2015

Instrumentation: Clarinet, Flute, Violin, Viola, Cello

First performance by Ensemble for New Music Tallinn - 20.11.2015, Tallinn (Estonia)

Other performances:

  • Ensemble for New Music Tallinn - 22.11.2015, Tallinn (Estonia)
  • Ensemble for New Music Tallinn - 03.12.2015, Palace Spayer, Bucharest (Romania)
  • Ensemble for New Music Tallinn - 11.03.2018, Estonian Academy of Music and Theatre, Tallinn (Estonia)
  • Ensemble for New Music Tallinn - 20.09.2018, Tallinn House of Blackheads (Mustpeade Maja), Tallinn (Estonia)
  • Ensemble for New Music Tallinn - 19.10.2018, Acker Stadt Palast, Berlin (Germany)
  • Ensemble for New Music Tallinn - 30.10.2018, Kanuti Gildi Saal, Tallinn (Estonia)
  • Ensemble for New Music Tallinn - 23.05.2019, Alexandrinsky Theatre, St Peterburg (Russia)
  • Ensemble for New Music Tallinn - 10.05.2022, Conservatorio Superior de Musica de Vigo, Pontevedra (Spain)
  • Ensemble Recherche - 11.05.2022, Auditorio San Fedele, Milano (Italy)
  • Ensemble for New Music Tallinn - 23.09.2022, Nowa Miodowa, Warsaw (Poland)
  • Hashtag Ensemble - 14.03.2024, Contemporary Music Space Hashtag Lab, Warsaw (Poland)

Recording:

Note:
This quintet was another step in my exploration of continuous music and pseudo-sampling. Influenced by the music of Scelsi, I tried to create an elastic continuous stream of sound, where the movement between harmonic centers is a side-effect of the organic flowing of the different voices. This continuous movement is at some point sampled beat, creating a tension between the rhythmic drive and the slow continuity of the changes. The idea of continuous music without discrete recognizable events, makes it harder to dissect and analyze, and resist academic categorization. The title (which literally means" against mathematicians" or "against academic disciplines'") is taken from a book by the Greek philosopher Sextus Empiricus. In these ancient writings, he questions the validity of logical inference and scientific methodologies. These ideas correspond to the perception of continuous music as an irrational musical progression.